artists

MAREK MOŚ
MAREK MOŚ
MAREK MOŚ
An eminent Polish conductor as well as violinist and chamber musician; founder and artistic director of AUKSO – Chamber Orchestra of the City of Tychy; director of the AUKSO Summer Philharmonic and AUKSODRONE festivals. He was the founder and longtime first violinist of the Silesian Quartet. The artist has a special preference for crossover projects, which has led to collaborations with leading Polish electro-acoustic and foreign electronic music artists, as well as concerts with a galaxy of Polish jazz stars. Moś is also a highly regarded interpreter of contemporary Polish music. He has conducted the world premieres of compositions by Aleksander Nowak, Aleksander Lasoń, Zygmunt Krauze, Grażyna Pstrokońska-Nawratil, Cezary Duchnowski, and Agata Zubel. His recordings have been released under such labels as Nonesuch, EMI Classics, Anaklasis, DUX, BeArTon, and CD Accord. His numerous accolades include the award of the International Rostrum of Composers in Paris, Coryphaeus of Polish Music, the Silver Medal for Merit to Polish Culture – Gloria Artis, and several Fryderyk Awards; he has been granted with honorary citizenship of the City of Tychy. Apart from his intense concert and recording schedule, Moś is a lecturer at Katowice’s Karol Szymanowski Academy of Music.
 AUKSO
AUKSO
AUKSO
One of Europe’s best chamber orchestras, for the last two decades – Poland’s flagship ensemble. Its repertoire ranges from classical masterpieces to contemporary music. The orchestra has gained recognition with its interpretations of music by Polish composers. Such masters as Wojciech Kilar, Zbigniew Bujarski, Aleksander Lasoń, Grażyna Pstrokońska-Nawratil, Piotr Moss, Cezary Duchnowski, Aleksander Nowak have entrusted AUKSO with the task of premiering their works. The ensemble has also scored successes with its recordings of film music by world-famous composers such as Elliot Goldenthal, as well as soundtracks for computer games. Crossover projects combining classical music with jazz, rock or alternative trends have become a trademark of the ensemble, which collaborates in these fields with such artists as Leszek Możdżer, Tomasz Stańko, as well as Aphex Twin and Jonny Greenwood. With the latter two musicians, they recorded an album for the American record company Nonesuch. AUKSO has also won the Fryderyk Award of the Polish Phonographic Society for their Chopin CD recorded with Janusz Olejniczak and for ahat-ilī – Sister of Gods and Syrena. Melodrama aeterna by Aleksander Nowak.
PAWEŁ SZAMBURSKI
PAWEŁ SZAMBURSKI
PAWEŁ SZAMBURSKI
Clarinettist, composer, and improviser, active organiser of musical life; co-founder of Lado ABC music label. He studied ethnography and musicology at the University of Warsaw. He performs with many ensembles: SzaZa (a duo with violinist Paweł Zakrocki, focusing on theatre and film music), Cukunft quartet (as an improviser during performances of Jewish music), and Bastarda Trio (fruit of his interest in early music). He was also a member of Horny Trees, Meritum, Tupika, and Ircha clarinet quartet (founded by Mikołaj Trzaska). Szamburski’s main artistic tools are voice, clarinet, and electronics. He uses loop and sound transformation effects to build characteristic atmospheric, meditative sound structures. The artist writes music for the cinema (including silent films), theatrical spectacles, contemporary dance, and radio dramas.
MIŁOSZ PĘKALA
MIŁOSZ PĘKALA
MIŁOSZ PĘKALA
Percussionist; a leading Polish vibraphonist. He performs contemporary classical, popular, and ethnic music. He studied at Warsaw’s Chopin Academy (now University) of Music and Det Kongelige Danske Musikkonservatorium in Copenhagen. His numerous artistic projects include performances in a duo with Magdalena Kordylasińska-Pękala, collaborations with Mitch&Mitch, Bartosz Weber, Kukla Band, and long-time membership of Kwadrofonik ensemble. He is also a composer (the ballet Xenophonia. Symphony for Another, jointly with Bartłomiej Wąsik – a Malta Festival commission, dir. Jan Komasa; music for radio drama-spectacle Hunchback after Sławomir Mrożek, for the Polish Radio Theatre, dir. Jerzy Schejbal). For his work as a soloist and chamber musician, he has received numerous accolades, including Decoration of Honour ‘Meritorious for Polish Culture’ (2015). Pękala is currently an lecturer at his alma mater in Warsaw.
DOMINIK STRYCHARSKI
DOMINIK STRYCHARSKI
DOMINIK STRYCHARSKI
A versatile musician, composer, flautist, vocalist, and music producer; author of theatrical music works in which sonic space (the ‘phonosphere’) is used as a major form-building factor. A recipient of ‘Polityka’ weekly’s Passport Award, Strycharski works in the borderline area between contemporary classical, jazz, and electronic music, with influences from noise and post-hip hop aesthetics. He transforms the sound of conventional instruments and vocals by electroacoustic means, using the element of improvisation. He presents his compositions both as a soloist and a member of numerous musical projects. He has recorded over forty albums with various musicians. He is the founder of Pulsarus band, which combines jazz with sophisticated electronics. Strycharski has composed music for more than ninety theatrical spectacles, dance shows, films, and audiovisual projects, including stage works by Michał Zadara, Wojciech Klemm, Łukasz Kos, Katarzyna Raduszyńska, Anna Badora, Jan Peszek, Wojtek Urbański, Grażyna Kania, and Natalia Sołtysik. The artist is also a co-founder of the interdisciplinary Bretoncaffe Theatre.
MAREK POSPIESZALSKI
MAREK POSPIESZALSKI
MAREK POSPIESZALSKI
Saxophonist, clarinettist, and composer; graduate of Academy of Music in Kraków. Apart from leading his own quartet and octet, he is also part of Malediwy duo and the Wojtek Mazolewski Quintet. Brought up in a musical family, from his earliest years Pospieszalski developed an interest in avant-garde jazz, improvisation, the search for new types of sound and means of expression. He has collaborated, among others, with Paweł Kaczmarczyk Audiofeeling Band, Marco Eneidi, Dennis González Yells At Eels, YeShe, Graal, Yanina Free Wave, Piotr Damasiewicz and Power of the Horns Ensemble, Kazimierz Jonkisz, Janusz Stefański, Paweł Jarzębski, Maciej Obara, Jerzy Mazzoll, Rafał Mazur, Krzysztof Knittel, Igor Boxx, Fisz/Emade, Peja, and Zakopower. 2022 saw the release of his critically acclaimed 2CD-album Polish Composers of the 20th Century, as well as the beginning of his collaboration with the Portuguese label Clean Feed Records. Pospieszalski has been listed by the German magazine ‘Jazz Thing’ as one of the twenty-five most promising European artists and voted Musician of the Year 2022 in a ‘Jazz Forum’ magazine poll. On Marek Pospieszalski Octet’s CD No Other End of the World Will There Be, to be released later this year, the artist continues to pursue his inspirations with the music of 20th-century Polish composers.
ZYGMUNT KRAUZE
ZYGMUNT KRAUZE
ZYGMUNT KRAUZE
An eminent composer, highly regarded pianist and educator, an active organiser of musical life. Born in 1938 in Warsaw, he studied piano performance with Maria Wiłkomirska and composition with Kazimierz Sikorski in that city’s State Higher School of Music. He continued his education with the now legendary Nadia Boulanger. Krauze’s output includes operas, concertos, symphonic, chamber, and choral music, as well as works for the theatre. He is the inventor of unistic music, inspired by the paintings of Władysław Strzemiński, as well as spatial musical compositions. As a performer, he has appeared in the world’s major venues, sharing the stage with the greatest artists and conductors of our time. He served as artistic consultant to IRCAM Paris and president of the International Society for Contemporary Music, as well as jury member at international music competitions. Since 2002 he has been a professor of composition at the Grażyna and Kiejstut Bacewicz University of Music in Łódź. In 2006–2010 he also taught at the Chopin Academy (since 2008 – University) of Music in Warsaw. Krauze has conducted seminars and masterclasses in Japan, South Korea, China, Israel, the United States, and many European countries. His prestigious accolades and honours include the Golden Cross of Merit (2004), the UNESCO Prize for Culture (in the category of World Heritage, 2005), the Legion of Honour (2007), Chevalier (Knight) of the Ordre des Arts et des Lettres, awarded by the French Minister of Culture (1984), as well as the Cavalier’s Cross of the Order of Polonia Restituta (2014).
JERZY KORNOWICZ
JERZY KORNOWICZ
JERZY KORNOWICZ
Composer, improviser, organizer of musical life. Studied composition with Tadeusz Baird and Marian Borkowski at the Warsaw Academy of Music. He continued his education with Louis Andriessen at the Royal Conservatoire in The Hague. In 2001, on his initiative, the Kawalerowie Błotni (Mud Cavaliers) ensemble was formed, focusing on intuitive and improvised activities, combining different aesthetics and forms, the sounds of acoustic and electronic instruments. He is artistic curator of festivals, involved in the activities of many creative associations and cultural initiatives; in the years 2003–2015 he was the president of the Polish Composers' Union, and since 2017 he has been the artistic director of the Warsaw Autumn festival. His oeuvre is part of the postmodern trend, draws from various genres and styles, combines the latest techniques with elements of tradition and improvisation. Winner of many awards and distinctions, including the ZAiKS [Polish Society of Authors and Composers] Award for the Promotion of Polish music, the Silver Medal for Merit to Culture – Gloria Artis, and the Knight's Cross of the Order of Polonia Restituta.
MICHAŁ RUSINEK
MICHAŁ RUSINEK
MICHAŁ RUSINEK
Writer, translator and lecturer. Born in 1972 in Kraków. Rusinek works at the Department of Polish language at the Jagellonian University in Kraków, where he teaches courses in literary theory, rhetoric, and creative writing. Translator of many books for children (by writers including A.A. Milne and J.M. Barrie) and adults (e.g. Edward Gorey). He writes essays, limericks, short stories, radio plays, television scripts and song lyrics. He was secretary to the Nobel prize-winning poet Wisława Szymborska, and runs the literary foundation named for her.
ALEK NOWAK
ALEK NOWAK
ALEK NOWAK
Born in 1979 in Gliwice, he studied composition at the Karol Szymanowski Academy of Music in Katowice and at the University of Louisville School of Music. Nowak’s compositions have been presented at many prestigious festivals (such as the Warsaw Autumn, Sacrum Profanum, Festival of Premieres ‘Polish Modern Music’ in Katowice, Festival of Polish Music in Kraków, and others), as well as during concerts in the United States and a number of European countries (including the 54th International Rostrum of Composers in Paris). They have been commissioned and performed by London Sinfonietta, the Polish Radio Orchestra in Warsaw, Alarm Will Sound, NOSPR – the Polish National Radio Symphony Orchestra, AUKSO Chamber Orchestra of the City of Tychy, Ensemble OMN, and the Silesian Quartet. The vocal-instrumental compositions occupy an important place in his output. He wrote to texts by such writers Georgi Gospodinov (Space Opera), Olga Tokarczuk (ahat-ilī – Sister of Gods – album won the Fryderyk Award of the Polish Phonographic Society), Radek Rak (Baśń o sercu. Favola in musica), Stanisław Lem (Lo firgai – The Mask), Szczepan Twardoch (Drach. Dramma per musica – awarded with the Coryphaeus of Polish Music and the O!Lśnienia prize, Syrena. Melodrama aeterna – won the Fryderyk Award, and Pokora. Dramma giocoso, which crowns the triptych). His accolades include, the Guarantees of Culture award of TVP Kultura state television channel (2011), the Passport Award of the “Polityka” weekly (2018), the Coryphaeus of Polish Music award of the National Institute of Music and Dance for Personality of the Year (2021). Since 2020 he has held the post of Head of the Chair of Composition and Music Theory.
MARCIN WICHA
MARCIN WICHA
MARCIN WICHA
Graphic artist and writer, columnist, author of essays and children’s books, born in 1972 in Warsaw. He designs covers, posters, and logotypes. For several years he created weekly comic-strip commentaries for ‘Tygodnik Powszechny’ weekly. His accolades include the ‘Polityka’ weekly’s 2017 Passport Award for literature and the Nike Literary Award for his book Things I Didn't Throw Out, which also won the Witold Gombrowicz Literary Prize and was nominated for Gdynia Literary Prize. He has also written texts for, among others, ‘Gazeta Wyborcza’ daily as well as ‘Charaktery’, ‘Pismo’, and ‘Polityka’ magazines. In his autobiographical essay collections How I Stopped Loving Design and Things I Didn't Throw Out, recollections of his childhood and coming-of-age, as well as the realities of late communist Poland, become a point of departure for comments on relations with parents, Jewish origins, and the Polish intelligentsia. In 2022 Wicha published a collection of feature articles titled Nic drobniej nie będzie. In the same year, he was also nominated for the Nike Literary Award for his 2021 publication Kierunek zwiedzania.
KASIA MOŚ
KASIA MOŚ
KASIA MOŚ
Singer, composer, and songwriter, Poland’s representative in the Grand Final of the 62nd Eurovision Song Contest (Kyiv 2017). Born into a musical family, she graduated in cello and piano from the Fryderyk Chopin Musical-Comprehensive School in Bytom and in singing from the Jazz and Popular Music Faculty of the Karol Szymanowski Academy of Music in Katowice. She performs songs from musicals, jazz and popular repertoire. She also applies the so-called white voice technique. She has taken part in recording sessions and performances of Paweł Mykietyn’s St Mark Passion and King Lear, and recorded Wojciech Kilar’s vocalise for Krzysztof Zanussi’s Foreign Body. She has collaborated, among others, with Norma John, Kuba Badach, Grzech Piotrowski, and Leszek Możdżer, and appeared at such festivals as Spring Break, Top Trendy, Woodstock, Opole Festival, Wratislavia Cantans, the Warsaw Autumn, Sacrum Profanum, and Kraków Film Music Festival. She was a finalist of the 3rd Must Be the Music talent show and took part in the 8th Your Face Sounds Familiar television show. She has recorded three studio albums. Kasia Moś is also an animal rights activist.
JOANNA FRESZEL
JOANNA FRESZEL
JOANNA FRESZEL
A sopran born in Warsaw; graduate of the Chopin University of Music in Warsaw. She has for many years given concerts with the best Polish chamber ensembles and symphony orchestras. She specialises in the interpretation of contemporary music, including works by Crumb, Ligeti, Haubenstock-Ramati, Stravinsky, Mykietyn. She has premiered compositions by Pärt, Nikodijević, Caine, Knapik, Nowak. Apart from most recent music, she also successfully performs pieces from the Baroque, Classical and Romantic repertoires. She has sung as guest artist at opera houses in Poland, Ireland, Estonia, Spain, and Italy, as well as appearing at prestigious festivals (in Aix-en-Provence and Geneva’s Contrechamps), on foreign tours (such as the concert tour featuring Lutosławski’s song cycle Chantefleurs et chantefables), as well as on special occasions (among others, the recital Frédéric Chopin and Franz Liszt at the UNESCO headquarters in Paris). She is the winner of major prizes and distinctions in vocal competitions both in Poland and abroad. In 2016, she was awarded Orphée d'Or (Académie du Disque Lyrique) for her debut album real life songs (2015); in 2017 she was presented with the Passport Award of the “Polityka” weekly. Many recordings with her participation are nominated and awarded with the Fryderyk Awards of the Polish Phonographic Society.
EWA BIEGAS
EWA BIEGAS
EWA BIEGAS
Soprano; graduate of the Karol Szymanowski Academy of Music in Katowice and the Universität für Musik und darstellende Kunst in Vienna; prize-winner in many prestigious nationwide and international vocal competitions; recipient of scholarships from the Polish and Austrian governments, and the Swiss Thyl-Dürr Foundation; a distinguished interpreter of music by Polish composers. For Polish Radio, she has recorded works by I.F. Dobrzyński, Nowowiejski, Bogusławski, A. Dziadek, and Lutosławski. She appeared in the american premiere of Kilar’s Missa pro pace at St. Patrick’s Cathedral in New York and toured in Germany with Penderecki’s St Luke Passion (cond. Antoni Wit). She has also given performances at the Wiener Kammeroper, Teatro del Maggio in Florence, Teatro Colón in Buenos Aires, Opéra de Montréal, and Slezské divadlo in Opava, appearing in compositions by Britten, Szymanowski, Dvořák, Penderecki, and Puccini. Ewa Biegas is the dean of the Vocal and Acting Department at the Academy of Music in in Katowice.
JAN JAKUB MONOWID
JAN JAKUB MONOWID
JAN JAKUB MONOWID
Countertenor, graduate of the Fryderyk Chopin Academy (now University) of Music in Warsaw; member of the International Opera Studio at Opernhaus Zürich. Associated for many years with the Warsaw Chamber Opera. This particularly versatile artist performs early music by Baroque, Classical and Romantic masters as well as most recent works by such Polish contemporary composers as Krauze, Pałłasz, m. Dobrzyński. His repertoire includes roles in contemporary Polish operas: Drach by Aleksander Nowak and Anhelli by Dariusz Przybylski. Much sought-after as a soloist, Monowid has performed with Poland’s leading orchestras, delighting opera houses audience throughout Poland with his performances. A special place in Monowid’s discography is occupied by a unique CD series dedicated to Polish Baroque compositions by Grzegorz Gerwazy Gorczycki and Stanisław Sylwester Szarzyński. The artist’s numerous accolades include Fryderyk Awards of the Polish Phonographic Academy.
KAROL KOZŁOWSKI
KAROL KOZŁOWSKI
KAROL KOZŁOWSKI
A tenor singer whose repertoire ranges from early to contemporary music; graduate of the Gdańsk Academy of Music and Warsaw’s Academy of Fine Arts. Second-prize winner in the Hariclea Darclée International Voice Competition in Braila, Romania. In 2007–2009 he was a soloist in Wrocław Opera, where he sang in works by Johann Strauss, Mozart, Rossini, Verdi, and Penderecki. He has also performed music by, among others, Szymanowski, Donizetti, Mussorgsky, Richard Strauss, Janáček, and Puccini in the Théâtre Montansier in Versailles, Latvijas Nacionālā opera un balets in Riga, the Staatstheater am Gärtnerplatz in Munich, the National Opera of Ukraine in Kyiv, and the Teatr Wielki – Polish National Opera in Warsaw. Kozłowski has interpreted early music repertoire with Capella Cracoviensis, Wrocław Baroque Orchestra, {oh!} Orkiestra, Musicae Antiquae Collegium Varsoviense, Il Giardino d’Amore, and Arte dei Suonatori. Kozłowski’s versatility and fine timbre are in similarly high demand in contemporary music. He has given world premiere performances of works by Oliver Schneller, Manfred Trojahn, and Bernd Redmann. He has appeared in Andrzej Kwieciński’s Canzon de’ baci, Paweł Mykietyn’s opera The Magic Mountain, and recently in Aleksander Nowak’s I, Şeküre.
PIOTR SAŁAJCZYK
PIOTR SAŁAJCZYK
PIOTR SAŁAJCZYK
Pianist, chamber musician, and educator. He graduated in piano from the Katowice Academy of Music and studied at Salzburg’s Universität Mozarteum. Critically acclaimed as one of the most outstanding pianists of his generation, Sałajczyk performs both most recent works and music by the Polish Romantics. With the oeuvre of Karol Szymanowski in the centre of his interests, his repertoire also includes compositions by Juliusz Zarębski, Władysław Żeleński, and Mieczysław Wajnberg. He has given world premiere performances of many contemporary works, and appeared with leading Polish chamber ensembles and orchestras. A member of Wajnberg Trio, he also previously played in Hashtag Ensemble. Sałajczyk’s numerous music record prizes include a Fryderyk Award. He has recorded widely for such labels as DUX, CD Accord, Hänssler, CPO, and Naxos, as well as Polish Radio Programme Two, PWM Edition, Musiq3 in Belgium, Deutschlandradio, and hr2. Sałajczyk is the president of the Karol Szymanowski Music Society in Zakopane.
MAX MUCHA
MAX MUCHA
MAX MUCHA
Jazz bass player, graduated of the Institute of Jazz and Popular Music at the Karol Szymanowski Academy of Music in Katowice. He is much sought after as a session musician in Poland and Europe, as well as a member of such bands as Marek Pospieszalski Octet and Szymon Mika Trio. He has also collaborated with Marek Napiórkowski, Piotr Orzechowski, Dominik Wania, Adam Pierończyk, Mateusz Pospieszalski, Maciej Obara, Kuba Płużek, Elias Stemeseder, Max Andrzejewski, and many others. Mucha has appeared at such European festivals as Jazzfest Berlin, Moers Festival, and Warsaw Summer Jazz Days. He has won awards at Belgium’s Jazz Hoileaart, Spain’s Getxo Jazz, and Poland’s Jazz Juniors.
 HCH
HCH
HCH
HCH is the name of a radio duo formed by Jacek Hawryluk (musicologist and music journalist associated with Radiostacja, now with Polish Radio; vice-director of Polish Radio Channel Two since 2012, founder of “Płytomania” and “Płytowy Trybunał Dwójki” radio programmes, and contributor to “Gazeta Wyborcza” and “Ruch Muzyczny”) and Bartek Chaciński (music journalist and columnist, collaborating with Polish Radio since 2004, previously head of “Machina” magazine’s music section, now head of the culture department of the “Polityka” weekly, author of Dictionaries of Most Recent Polish Language). These two have shared the air since 1995 (Scout Radio / Radiostacja) and joined forces in 2004, presenting for 13 years the programme cycle entitled “HCH” – first on Polish Radio Channel Four, then Channel Three. On PR 2 they can be heard in the “Nocturne”, “Summer Nights”, “Night Zone”, and “Summer Zone” series. They also collaborated on Polish Television’s “WOK” (“All about Culture”). Since 2016 they have written original concert notes for AUKSO.

programme

03.09godz. 12:00
OPERA // JERZY KORNOWICZ x MICHAŁ RUSINEK: ALBUM RODZINNY (opera dla dzieci)
EWA BIEGAS / JAN JAKUB MONOWID / MAREK MOŚ / AUKSO
CONCERT HALL
06.10godz. 18:30
Q&A // PAWEŁ SZAMBURSKI / MAREK POSPIESZALSKI
JACEK HAWRYLUK / BARTEK CHACIŃSKI
FOYER
free entrance
06.10godz. 19:30
AD LIBITUM // AUKSO x PAWEŁ SZAMBURSKI
PAWEŁ SZAMBURSKI / MAREK MOŚ / AUKSO
CONCERT HALL
06.10godz. 20:30
DJ SET // HCH: 50 LAT HIP-HOPU
JACEK HAWRYLUK / BARTEK CHACIŃSKI
FOYER
free entrance
06.10godz. 21:15
JAZZ+ // AUKSO x MAREK POSPIESZALSKI OCTET: POLISH COMPOSERS OF THE 20TH CENTURY
MAREK POSPIESZALSKI OCTET / MAREK MOŚ / AUKSO
CONCERT HALL
07.10godz. 16:30
Q&A // ZYGMUNT KRAUZE / MIŁOSZ PĘKALA / ALEK NOWAK / MARCIN WICHA
JACEK HAWRYLUK / BARTEK CHACIŃSKI
FOYER
free entrance
07.10godz. 17:30
KRAUZE 85 // AUKSO x ZYGMUNT KRAUZE
ZYGMUNT KRAUZE / MAREK MOŚ / AUKSO
CONCERT HALL
07.10godz. 19:30
AD LIBITUM // AUKSO x MIŁOSZ PĘKALA
MIŁOSZ PĘKALA / MAREK MOŚ / AUKSO
CONCERT HALL
07.10godz. 20:30
DJ SET // HCH: PŁYTY, KTÓRYCH NIE WYRZUCILIŚMY
JACEK HAWRYLUK / BARTEK CHACIŃSKI
FOYER
free entrance
07.10godz. 21:15
OPERA // ALEK NOWAK x MARCIN WICHA: RZECZY
KASIA MOŚ / JOANNA FRESZEL / KAROL KOZŁOWSKI / PIOTR SAŁAJCZYK / MAX MUCHA / MAREK MOŚ / AUKSO
CONCERT HALL
08.10godz. 18:30
Q&A // DOMINIK STRYCHARSKI / MAREK POSPIESZALSKI
JACEK HAWRYLUK / BARTEK CHACIŃSKI
FOYER
free entrance
08.10godz. 19:30
AD LIBITUM // AUKSO x DOMINIK STRYCHARSKI
DOMINIK STRYCHARSKI / MAREK MOŚ / AUKSO
CONCERT HALL
08.10godz. 20:30
DJ SET // HCH: PIOSENKI O KOŃCU ŚWIATA
JACEK HAWRYLUK / BARTEK CHACIŃSKI
FOYER
free entrance
08.10godz. 21:15
JAZZ+ // AUKSO x MAREK POSPIESZALSKI OCTET: NO OTHER END OF THE WORLD WILL THERE BE
MAREK POSPIESZALSKI OCTET / MAREK MOŚ / AUKSO
CONCERT HALL

map

Mediateka is situated at 16, Marszałka Piłsudskiego Avenue. The nearest bus and trolley bus stop, Hala Sportowa, is just two minutes’ walk away, and can be reached by lines A, C, F (trolley bus), as well as W, 14, 36, Sz, 128, and 268 (bus).
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